after 2 weeks of inhibited movement of the corporeal state, especially vocal capabilities, and trauma within passages to all possible orifices above the shoulders (and thank you to those who had the courage to stand within the 3-metre cordoned-off-by-yellow-tape radius. now that's friends are for! =) I say, ready to rumble!
so I got the agenda going (that is, 4 hours of sleep in the afternoon, dinner at 11pm, a cuppa tea at 2am, 5 books to look through, 1 litre of water on stand-by, and 1 supervisor to meet tomorrow morning. later.)
the crunch? a perspective on the psychoanalytical status of american drama in the 1930s and a decision on the avenue I will take: Freudian? Saussure? a combination of both? or another angle? ...by 1130am.
perhaps I'm looking at it the wrong way, perhaps I should begin with the drama, its presentation, representations, language. but how to tie to it psychosis? should I stick to this initial idea? or should I bring Inge in...
there must be a way to capture silver threads on film.
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